Breaking Down the Script with Adam Cook: Observers/Auditors
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8 June 2022
12:00 pm - 1:30 pm
Applications Close 8 June 2022 8:00 am
Synopsis
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8 June 2022
12:00 pm - 1:30 pm
Equity members are invited to observe/audit our upcoming Zoom livestream class with director Adam Cook. While you will not be able to participate in the class there will be time for your audience questions. Please note: Please only apply to audit if you have not applied to participate as you will automatically be sent a zoom link. This event will take place at from 12-1.30pm Australian Eastern Standard NSW/VIC/QLD/TAS time and 2pm-3.30pm NZ time.
Host(s)

Adam Cook
Adam is a graduate of the NIDA Directors Course. He has directed over 150 productions across Australia, London, Canada and the United States. He was Artistic Director of the State Theatre Company of South Australia for the years 2005-2012, the longest tenure in the company’s 40-year history.Adam is currently Head of Acting at Actors Centre Australia.Adam has created works for the Sydney, Adelaide, Melbourne and Brisbane Festivals, Melbourne Theatre Company, Sydney Theatre Company, Belvoir, Ensemble, Sydney Opera House Trust, NIDA, Queensland Performing Arts Centre, La Boite, Q Theatre, Florida Grand Opera, Opera de Montreal, Sydney Gay and Lesbian Mardi Gras, Outhouse Theatre, Opera Australia, Griffin, Bell Shakespeare, Sport for Jove, OzOpera, Playbox, Festival of the Dreaming, WAAPA, QUT, Marian Street, Strange Duck, Windmill Performing Arts, Edinburgh Fringe Festival, City of London Festival, the Barbican International Theatre Event (BITE).He also has a number of writing credits for the theatre to his name, including stage adaptations of Patrick White’s The Aunt’s Story for Belvoir/Melbourne Theatre Company/Melbourne International Festival and Brisbane Festival, Songs from the Yellow Bedroom, an adaptation of the letters of Vincent Van Gogh for the Adelaide Festival, and Herman Melville’s Moby Dick for Sport for Jove. Most recently he has completed a new play about the William Dobell trial for the centenary of the Archibald Prize, called What’s Art Got to Do with It?