A month long season of weekly scene groups is coming to you! Collaboratively run, democratic, no leader, participatory - just practice and encouragement. You will prepare and perform a scene for your peers and support each other to have fun and take risks. Positive, encouraging feedback only. A chance to improve your acting "fitness" or try out characters you think you'd never get cast for. 4 Tuesday evenings in a row, 21 May – 11 June. Ideally you can commit to all of them.

This livestream chaired by Stephen Mahy with panelists, Julian Kuo, Shewit Belay and Ashton Lash will discuss the day to day requirements of swings and understudies working on large scale music theatre productions.

If you are acting in a theatre, film or TV production that is likely to get media attention are you ready for the publicity requirements that will be involved?

A month long season of weekly scene groups is coming to you! Collaboratively run, democratic, no leader, participatory - just practice and encouragement. You will prepare and perform a scene for your peers and support each other to have fun and take risks. Positive, encouraging feedback only. A chance to improve your acting "fitness" or try out characters you think you'd never get cast for. 4 Sunday evenings in a row, 26 May -16 June. Ideally you can commit to all of them.

An opportunity to hear from theatrical producer Michael Cassel (Hamilton, Harry Potter and the Cursed Child, Kinky Boots, and Beautiful: The Carole King Musical).

The audition process is such a time-pressured 15 minutes. Actors often come away feeling none the wiser, disempowered, and disillusioned. It can feel very random and uncertain. Casting director Eryn Wilson's goal with this class, is to be absolutely transparent with actors, so they know every part of the casting process and their role within that. He will share what’s important to a casting director and what isn’t, insights into the agent/casting director relationship; the actor/director relationship and what directors ACTUALLY care most about. You will also learn about his 10 stages all actors need to observe in order to put themselves in the top 20% of actors auditioning. It’s a no-stone-unturned approach, so actors feel empowered, knowledgable and confident going into their next audition.