Breaking Down the Script with Adam Cook: Actor participants

Details

  •  8 June 2022
     12:00 pm - 1:30 pm
Online (Equity Members 18+)
Applications Open 26 May 2022 10:00 am
Applications Close 1 June 2022 2:00 pm
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Synopsis

  •  8 June 2022
     12:00 pm - 1:30 pm

This is a chance to work with director Adam Cook on the creative process of breaking down and working on a script.  This will be particularly useful for actors who do a lot of self tests when there is not a lot of time to prepare. Four actors will work on two scenes from American theatre – Miller’s A View from the Bridge and one from Annie Baker’s The Flick.  The four successful actors will need to use their US accent and know the scene well but don’t need to learn it. Please note: There will be other actors observing (auditing) this class.  Unsuccessful applicants will be sent a Zoom link to observe this class.  This event will take place at from 12-1.30pm Australian Eastern Standard NSW/VIC/QLD/TAS time and 2-3.30pm NZ time.

 

 

Online (Equity Members 18+)

Host(s)

  • Adam Cook

    Adam is a graduate of the NIDA Directors Course. He has directed over 150 productions across Australia, London, Canada and the United States. He was Artistic Director of the State Theatre Company of South Australia for the years 2005-2012, the longest tenure in the company’s 40-year history.Adam is currently Head of Acting at Actors Centre Australia.Adam has created works for the Sydney, Adelaide, Melbourne and Brisbane Festivals, Melbourne Theatre Company, Sydney Theatre Company, Belvoir, Ensemble, Sydney Opera House Trust, NIDA, Queensland Performing Arts Centre, La Boite, Q Theatre, Florida Grand Opera, Opera de Montreal, Sydney Gay and Lesbian Mardi Gras, Outhouse Theatre, Opera Australia, Griffin, Bell Shakespeare, Sport for Jove, OzOpera, Playbox, Festival of the Dreaming, WAAPA, QUT, Marian Street, Strange Duck, Windmill Performing Arts, Edinburgh Fringe Festival, City of London Festival, the Barbican International Theatre Event (BITE).He also has a number of writing credits for the theatre to his name, including stage adaptations of Patrick White’s The Aunt’s Story for Belvoir/Melbourne Theatre Company/Melbourne International Festival  and Brisbane Festival, Songs from the Yellow Bedroom, an adaptation of the letters of Vincent Van Gogh for the Adelaide Festival, and Herman Melville’s Moby Dick for Sport for Jove. Most recently he has completed a new play about the William Dobell trial for the centenary of the Archibald Prize, called What’s Art Got to Do with It?
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